Limited Edition Fine Art Prints
prints.roshanpanjwani.comA rare collection of limited edition fine art prints from the world's most remarkable wild places, made to museum standards.
Sixteen images offered as strictly limited editions — Fine Art Edition (30 prints) and Signature Edition (15 prints). All sizes and substrates draw from a single pool. Once an edition is closed, no further prints of that image are ever made.
Prices rise as prints sell. Early collectors secure the lowest price within the edition — each subsequent increase is permanent.
Every print ships with a signed Certificate of Authenticity — individually numbered and registered in a secure digital vault for lifetime verification.
Roshan Panjwani is a Canadian wildlife and nature photographer whose work takes him to some of the least-visited ecosystems on earth — the High Arctic of Svalbard and Greenland, the floodplains of Botswana's Chobe, the grasslands of the Masai Mara, the Himalayan rain shadows of Ladakh, and the rainforests of Costa Rica's Osa Peninsula.
Much of his early experience was shaped by time spent in the field with photographers whose approach emphasized observation, intent, and respect for the environments we work in. The collection reflects that ethos — images selected for what they hold up to over time, not what first catches the eye.
The prints are produced at Total Image Works, Toronto — the studio founded by Edward Burtynsky, with the same master printmakers still on staff.
Hahnemühle Photo Rag — the benchmark for professional fine art printing, used by galleries, museums, and photographers worldwide. A cotton rag fine art inkjet paper (305–315 gsm), with no optical brighteners and archival permanence to ISO 9706. Rich tonal depth, precise detail, and a surface that renders without compromise. The specific variant — Bright White, Ultra Smooth, or Baryta — is selected per image for the best fit.
The acrylic refracts light across the image surface, producing depth and colour intensity that no other substrate matches. An archival inkjet print on professional glossy paper, face-mounted behind 3mm optically clear acrylic with a 45% UV filter. Mounted on a Dibond aluminium backing — rigid, archival, and built to last. Frameless, the print hovers off the wall complete on its own terms.
Image dyes infused directly into a coated aluminium panel under heat and pressure — no ink on the surface, no paper layer beneath. The result is exceptional colour depth, razor-sharp detail, and a surface sealed against fading, moisture, and handling. Frameless, lightweight, and ready to hang.
One of the most remote fjord systems on earth, where polar bears are hunted by local communities and rarely show themselves. On our first zodiac outing from the expedition vessel, in the fading evening light, this bear rolled lazily atop its perch — completely unbothered, completely sovereign. We never saw another on the rest of our expedition.
Nubra Valley, Ladakh — one of the rare places on earth where desert dunes and snow-capped mountains exist side by side. Light fades quickly at high altitude, and I had only a narrow window as these double-humped Bactrian camels, endemic to the region, formed a silhouette against the last of it.
Jim Corbett National Park - two rivers shape this ecosystem, and the meadows along the Ramganga are where elephants are most often found. This herd was just metres from our vehicle — close enough for the usual tight portraits, but the drama in the frame made me go wide and create a habitat photograph.
Chobe, Botswana has one of the largest elephant populations on earth, and encounters on the ground are often closer than you expect. This tusker crossed within metres of our vehicle — close enough that a wide frame was impossible, and a tight one became the only option. The black and white rendition of the close up elevates the texture and the skin signifies the elephant's years of lived experience on the land.
Scarlet macaws are the most iconic bird in this corner of Central America, but getting close is rarely this easy — they're cautious, fast and usually high in the canopy. This one was at its nest cavity, a hollow carved into the trunk of a large tree, and paused just long enough to look out.
At sunset, the last light caught the red sandstone cliffs and threw a deep amber glow across the sea. The wake of our expedition vessel carved a path of rippled gold leading straight to that arched iceberg in the distance. Fire reflected in ice.
















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roshan@roshanpanjwani.com