The Collection

India Fine Art Photography Prints

Four images from across India, drawing on a country that is both home terrain for the photographer and a place where the work connects to a lived context beyond what a visiting expedition can produce. The India frames divide cleanly into two registers. The high desert landscapes of Ladakh — Himalayan rock, Nubra Valley dunes, light that moves fast at altitude — account for two of the four. The other two are from the jungle country of Rajasthan and the Himalayan foothills, where Ranthambhore's sambar deer and Corbett's elephant herds live inside dense, often humid forest. The editorial decision for the India work was to move away from the familiar tiger portrait — the image most visiting photographers return with — and toward the environmental and behavioural frames that give a more honest account of the ecosystems these species share.

Stillness in the Storm

Corbett, India

Jim Corbett National Park - two rivers shape this ecosystem, and the meadows along the Ramganga are where elephants are most often found. This herd was just metres from our vehicle — close enough for the usual tight portraits, but the drama in the frame made me go wide and create a habitat photograph.

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The Quiet Power

Ranthambhore, India

The sambar deer is the Bengal tiger's preferred prey. Yet, nothing about this one suggests vulnerability - grace and strength in equal measure.

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Last Light, Nubra

Ladakh, India

Nubra Valley, Ladakh — one of the rare places on earth where desert dunes and snow-capped mountains exist side by side. Light fades quickly at high altitude, and I had only a narrow window as these double-humped Bactrian camels, endemic to the region, formed a silhouette against the last of it.

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Where Light Carves

Ladakh, India

Ladakh, mid-morning. Not the golden hour shot, but the one after, when the light climbs just high enough to cast shadows across every fold in the terrain. I had been looking for something beyond the wide landscape, and it was the texture of the hillside with the play of light that caught my eye. The ridges, the light, the grain of it — those became the image.

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Each print is produced in Toronto on Fine Art Photo Rag, Acrylic Face-Mount, or ChromaLuxe HD Metal. Fine Art Editions of 30; King of Ice is the Signature Edition of 15.